哲学社会科学版
陕西师范大学学报(哲学社会科学版)
外国文学研究
庞德《比萨诗章》中的互文与戏仿
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王文, 郭英杰
(陕西师范大学 外国语学院, 陕西 西安710062)
王文,男,陕西眉县人,文学博士,陕西师范大学外国语学院教授,博士研究生导师。
摘要:
《比萨诗章》是庞德代表作《诗章》中的精华,被誉为美国现代派诗歌的丰碑。《比萨诗章》具有明显的互文风格,影射着诗人绮丽美好但又悲观绝望的梦想;同时,它又有戏仿的痕迹,通过戏说古往今来的历史故事、五大洲四大洋的典故传说,对纷繁复杂的社会现实进行隐喻式解读。《比萨诗章》是庞德杰出才华和鲜明个性的集中展示,其登峰造极的互文与戏仿风格,究其形式,主要反映在隐形书写、复调式表达、文化逻各斯之解构、碎片式宏大叙事等几个方面。
关键词:
美国现代派诗歌; 庞德; 《比萨诗章》; 互文; 戏仿
收稿日期:
2012-07-12
中图分类号:
I712.072
文献标识码:
文章编号:
1672-4283(2013)03-0136-06
基金项目:
教育部人文社会科学研究规划项目(10YJA752031)
Doi:
Intertextuality and Parody in Pound’s The Pisan Cantos
WANG Wen, GUO Yingjie
(School of Foreign Languages, Shaanxi Normal University, Xi’an 710062, China)
Abstract:
The Pisan Cantos, an outstanding part of Ezra Pound’s masterpiece, The Cantos, has been hailed as one monumental work of American modernist poetry today. The Pisan Cantos basically shares the conspicuous intertextual styles, which mirrors Pound’s magnificent but pessimistic dreams. Meanwhile, the work implies the intricate traces of parody, which reveals a metaphorical interpretation of the complicated social realities through ridiculing the historical stories as well as the classical legends. Accordingly, The Pisan Cantos is a condensed demonstration of Pound’s remarkable talents and striking personalities. His masterly fulfillment of intertextuality and parody, as we can observe from his unique forms, is primarily presented as the distinctive aspects like invisible writing, polyphonic expression, deconstruction of cultural logos, fragmentalization of grand narrations, etc.
KeyWords:
American modernist poetry; Ezra Pound; The Pisan Cantos; intertextuality; parody