哲学社会科学版
陕西师范大学学报(哲学社会科学版)
艺术研究
从文人雅集到西画社团——民初西画家群体活动的历史变迁
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杜 少 虎
(中国艺术研究院 博士后流动站, 北京 100027)
杜少虎,男,河南洛阳市人,美术学博士,中国艺术研究院博士后流动站科研人员,《中国国家美术》栏目主持人。
摘要:
“以文会友”是中国古代文人一贯的传统,文人结社研讨学问是常见的现象。20世纪初,在西学思潮的影响下,新兴知识分子的群体意识逐渐增强,出于追求个人学术理想与争取自身社会地位的策略性考虑,一些有着留学背景的西画家以合群方式组成西画社团,以文化启蒙为目标,致力于输入西方文明。这些社团不再是文人自娱的集会,而有着现代社团的诸多特色,其专业性特征凸显了现代职业社团与传统社团及其他民间社团之间的差异,其发生和发展是近代中国知识分子身份角色变化的缩影。
关键词:
民初画家群体; 文人雅集; 西画社团
收稿日期:
2012-03-08
中图分类号:
J120.9
文献标识码:
A
文章编号:
1672-4283(2013)01-0160-06
基金项目:
国家社会科学基金艺术学青年项目(09CF080)
Doi:
Conversion from Scholar Society to West Painting Organization
DU Shaohu
(Postdoctoral Mobile Research Station, China Institution of Art, Beijing 100027)
Abstract:
“Making friends by writing” was an enduring tradition of ancient Chinese scholars. So it is quite usual for Chinese scholars to form an association for academic discussion. In the early 20th century, under the influence of western learning schools, newemerging Chinese intellectuals found their collective consciousness grow gradually. Considering pursuing their academic ideals and tactically fighting for social positions of their own, some Chinese western painters back from studies abroad organized the Western Painting Society by shared interest. The society set its aim at cultural enlightenment and tried to introduce western civilization. Such societies were no longer meetings for scholars’ selfentertainment but possessed the many features of modern societies. Their professionalism projected differences between modern and traditional societies and other folk organizations, which presented a miniature of Chinese intellectuals’ change social identity in modern times.
KeyWords:
painter group in the early days of the Republic of China; scholar society; Western Painting Society