Abstract:
Since the 1990’s those hit local female dramas have rewritten the “symbol-extincting” status of women in the reconstructed reality in TV medium, but the mechanism of female “appearance on the scene” remains to be an optional construction. The image of women is continuously categorized and stereotyped by following the patriarchy-dominated processive reproduction and narrative logic. Under the patriarchy-dominated symbolic framework, with the awakening of female self-consciousness, the social mechanism of expression is strategically improving, leaving some necessary room and stage for women as the realm of compromise. In face of an open and multielement text, women obtain a “narcotic” satisfaction of self demand, but give up the demand for social reformation. Therefore, those hit local female dramas as typical samples must be rationally and dialectically treated so that women will obtain gender harmony and equality in self-salvation and social progression.
