哲学社会科学版
陕西师范大学学报(哲学社会科学版)
中国古代文学研究称
心 而 出,如 题 所 止——从《四婵娟》看洪升的女性意识及其晚年的创作心理
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高 益 荣
(陕西师范大学 文学院, 陕西 西安 710062)
高益荣,男,陕西西安人,文学博士,陕西师范大学文学院教授。
摘要:
《四婵娟》是一组写心杂剧,作者借谢道韫、卫茂漪、李清照和管仲姬四位历史上的才女以抒自己的心魂,对女性作出了不同传统观念的评价,突出其超乎男性的才识,赞颂了以真情为内核的夫妻平等互爱的美满的新型婚姻家庭观,表现出洪升具有现代意义的女性意识,由此亦可揣摩到洪升晚年的创作心理。
关键词:
《四婵娟》; 洪升; 女性意识; 创作心理
收稿日期:
2012-03-12
中图分类号:
I207.37
文献标识码:
A
文章编号:
1672-4283(2012)05-0076-05
基金项目:
国家社会科学基金项目(07XZW013)
Doi:
Representation of his Mind the Way his Work Followed
GAO Yi-rong
(College of Chinese Language and Literature, Shaanxi Normal University, Xi’an 710062, Shaanxi
Abstract:
The Four Learned Ladies was a series of mind-revealing poetic drama. By telling stories of the four learned ladies in Chinese history, Xie Daoyun, Wei Maoyi, Li Qingzhao and Guan Zhongji, the playwright expressed his anti-traditional personal evaluation about women. In the plays, he highlighted the female characters’ men-transcending talent and ability and sang praise of the new view of marriage and family which advocated true-love-based marriage and equality between man and wife, which showed that Hong Sheng the playwright possessed a female consciousness of modern sense. From the above-mentioned, we can surmise Hong’s writing psychology in his late years.
KeyWords:
The Four Learned Ladies; Hong Sheng; female consciousness; writing psychology