哲学社会科学版
陕西师范大学学报(哲学社会科学版)
哲学研究
论司马光“中和”学说及其在道学史上的意义与局限
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郭 晓 东
(复旦大学 哲学学院, 上海200433)
郭晓东,男,福建霞浦人,哲学博士,复旦大学哲学学院副教授。
摘要:
“中和”学说是司马光《中庸》诠释最重要的内容。司马光认为,君子之学贵在治心,治心之要在守心之“中”,“中”指的是“无过与不及”之德,学者的工夫就在于在人心“未发”之际,谨守这个“中”字。然而,“无过与不及”之“中”,本身就是心之“已发”,如何于“未发”之际守此具有“已发”意义的“中”,从道学的视野来看遂成为问题,程、朱诸子对此都提出了批评。进一步来说,司马光未能考虑到将“未发”之“中”放在一个“本体”的视域下加以诠释,有“用”而无“体”,从而使得他在工夫层面上存在诸多不能如理的地方。然而,司马光所提出的问题,引导了道学的思考方向,在这一点上,司马光对后来道学思想的发展具有相当积极的意义。
关键词:
司马光; 中庸; 中和; 道学
收稿日期:
2009-05-11
中图分类号:
B244.99
文献标识码:
A
文章编号:
1672-4283(2010)04-0068-06
基金项目:
Doi:
On Sima Guang’s Theory of “Medium Harmony” and Its Significance and Limitation to the History of Taoism
GUO Xiaodong
(College of Philosophy, Fudan University, Shanghai 200433)
Abstract:
Sima Guang’s theory of “medium harmony” was the most important idea interpreted in his Golden Mean. According Sima Guang, a gentleman learns to control his mind, and the key to control his mind is to adhere to “medium harmony” in keeping his mind. The “medium harmony” refers to the moral of “nonexcess and nonlack”, meaning a scholar should make his best adhere to the “medium harmony” prior to “mental excitement”. However, a “mental excitement” has occurred in the context of “nonexcess and nonlack”, then how should the gentleman adhere to the “medium harmony” prior to “mental excitement” in the context of “mental excitement” that occurred. In terms of Taoist theory, this offers a problem, which was already criticized by Cheng Ying and Zhu Xi. However, the problem Sima raised offered a guide to Taoist consideration. In this sense, Sima Guang theory was of rather active significance to the later development of Taoist ideology.
KeyWords:
Sima Guang; Golden Mean; Medium Harmony; Taoism