哲学社会科学版
陕西师范大学学报(哲学社会科学版)
周秦汉唐文化研究
唐代“立、坐部伎”相关问题辨析
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穆渭生,张维慎
(陕西教育学院, 陕西 西安 710061; 陕西历史博物馆, 陕西 西安 710061)
穆渭生,男,陕西大荔人,历史学博士,陕西教育学院教授;张维慎,男,陕西大荔人,历史学博士,陕西历史博物馆研究员。
摘要:
唐史文献中有关“立、坐部伎”14部曲目及其内容的记载,或详或略,大致相同,但对“立、坐部伎”的始置时间,却无确切表述。晚近学者研究考索之观点,也不尽相同。运用历史个案与时代背景综合考察的思维逻辑和历史学的“内证”方法,从认识宏观历史演变的基本面貌和理清具体史实的时间环节入手,排比史料,经过分析论证,结论是自贞观十四年起,“立、坐部伎”的曲目已各有4部,具备了设置乐部的基本条件。
关键词:
唐代立部伎; 唐代坐部伎; 演奏方式; 乐部
收稿日期:
2009-10-23
中图分类号:
K242; J709
文献标识码:
A
文章编号:
1672-4283(2010)01-0065-06
基金项目:
Doi:
A Discriminative Analysis of Several Relevant Points to the “Standing and Sitting Court Musicians” in the Tang Dynasty
MU Weisheng, ZHANG Weishen
(Shaanxi Pedagogy Institute, Xi’an 710061, Shaanxi; Shaanxi Historical Museum, Xi’an 710061, Shaanxi)
Abstract:
Recorded in different historical documents in the Tang Dynasty were the 14 melodies and their contents for the Standing and Sitting Court Musicians. All the records were basically identical though some were detailed, but others elliptical. However, no records revealed the accurate date when the “Standing and Sitting Court Musicians” were established. This paper investigated historical cases under a comprehensive historical background by means of historical “internal evidence” and examined historical materials to recognize the general scene of historical evolutions and clarify the dates of historical facts. Finally we conclude that up till the 14th year of the imperial title of Zhenguan, the “Standing and Sitting Court Musicians” had respectively established four melodies by themselves, and thus were qualified basically to establish a separate imperial music department.
KeyWords:
the “Sitting Court Musicians” of the Tang Dynasty; the “Standing Court Musicians” of the Tang Dynasty; manner of performance; imperial music department; the date of establishment