In the course of aestheticizing everyday life, the form of artistic works and the identity of artists both go through unprecedented changes. The conception of supreme artistry in artistic production is to be diluted to make distinction between art and nonart in conception, and between artist and nonartist in identity ，hard to identify. An artistic work without technical content is pale and short of aesthetic value, but a work only with technical content voices little artistic language. For the artist embodies artistry and ideology both in himself as an artistic creator. Therefore, the course of aestheticizing everyday life is not to obscure the distinction between art and nonart or between artist and nonartist in identity, but to seek an artistic excess of everyday life and a mutual confirmation between artistic work and artist to make the two form a clear and selfevident conventionality and identity.

everyday life; appreciating beauty; artistic work; artist; existing object