哲学社会科学版
陕西师范大学学报(哲学社会科学版)
中国古代文学研究
论瞍矇、俳优在俗赋形成中的作用
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赵 逵 夫
(西北师范大学 古籍整理研究所,甘肃 兰州730070 )
赵逵夫,男,甘肃天水市人,西北师范大学古籍整理研究所教授,博士生导师。
摘要:
《神乌赋》的发现,将俗赋产生的时代提前至西汉末年,而甘肃马圈湾汉代烽燧木简上有关《韩朋赋》的文字,说明敦煌发现的一些俗赋也是由汉代流传下来的。赋的形成同先秦时以赋诵为职能的瞍矇很有关系,《师旷》中保存了早期文赋的作品;赋的形成同以讲故事、表演戏剧的俳优也关系密切,《晏子春秋》中保存了早期俗赋类作品。俗赋主要是俳优创作而推动发展起来的一种文学样式。
关键词:
俗赋; 辞赋; 瞍矇; 俳优; 《师旷》; 《晏子春秋》
收稿日期:
2008-09-23
中图分类号:
I206.2
文献标识码:
A
文章编号:
1672-4283(2009)02-0058-06
基金项目:
Doi:
On the Function of the Blind Musician and the Farce Actor in the Shaping of the Popular Fu
ZHAO Kuifu
(Institution of Ancient Books Sifting, Northwest Normal University, Lanzhou 730070, Gansu)
Abstract:
The discovery of the Holy Bird Fu advanced the date of the birth of popular Fu back to the late West Han Dynasty. Accidentally, the words in the Hanpeng Fu on inscribed wooden slips unearthed at the ruins of beacon tower in the Han Dynasty at Majuanwan, Gansu, indicated that some popular Fu lines discovered were also handed down from the Han Dynasty. The shaping of the Fu was closely associated with the blind musician in the Qin Dynasty who was engaged in chanting and singing in the court, some of whose works were preserved in SHI KUANG. It was also connected with the farce actor who served in the court by telling stories and acting plays, some of which were found in YAN ZI CHUN QIU. To sum up, the popular Fu was a form of literature advanced mainly by the farce actor's writing.
KeyWords:
popular Fu; poetic Fu; the blind musician; the farce actor; SHI KUANG; YAN ZI CHUN QIU