哲学社会科学版
陕西师范大学学报(哲学社会科学版)
中国古代史研究
论半坡陶器的审美特征
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朱志荣,许歆
(华东师范大学 中文系, 上海 200241)
朱志荣,男,安徽天长人,华东师范大学中文系教授、博士生导师;许歆,女,江苏南京市人,华东师范大学中文系硕士研究生。
摘要:
半坡陶器是在老官台彩陶的基础上发展起来的,是中国彩陶艺术的第一座高峰。当时当地的自然环境、渔猎生活、原始宗教乃至此前的石、骨材料的器物和编织物等,对半坡彩陶的艺术创造的灵感、情趣和表现内容产生了重要的影响。它们常常线条流畅、造型简朴,纹饰与器形高度和谐统一,并服从于实用原则。同时,半坡先民在创造彩陶时,还充分注意到了欣赏者的角度与效果。在纹饰风格上,写实性纹饰清丽俊逸,几何形纹饰质朴、典雅,两者交互影响,共同推动了纹饰的发展。
关键词:
半坡彩陶: 写实性纹饰; 几何形纹饰 ; 审美特征
收稿日期:
2008-03-20
中图分类号:
K871.1
文献标识码:
A
文章编号:
1672-4283(2009)02-0029-05
基金项目:
Doi:
On the Aesthetic Characteristics of Banpo Pottery
ZHU Zhirong, XU Xin
(Department of Chinese Language and Literature, East China Normal University, Shanghai 200241)
Abstract:
Grown out of the color pottery in Laoguantai, the Banpo pottery marked the first peak of art of color pottery in China. The current natural surroundings in the locality, the life of hunting and fishing, the primitive religion, and the stone and bone artifacts and knittings all exerted great influence on the artistic aspiration, taste, and contents of presentation of the Banpo color pottery. Always with smooth lines and simple designs, the linear decoration and shape of artifacts were highly harmonious and integrated, conforming only to a pragmatic principle. Meanwhile, the ancestors in Banpo paid full attention to the angel and effect of appreciation when they invented color pottery. As a result, they created clear and elegant realistic linear decoration and simple and grand geometric decoration, which mutually influenced to promote the advancement of linear decoration.
KeyWords:
Banpo color pottery; realistic linear decoration; geometric decoration; aesthetic characteristic