Abstract:
Like any other science, the science of editing and publishing cannot scientifically ascertain its theoretical basis unless it establishes a wholesomely complete view of history. In the Yin Dynasty, inscriptions on shells and animal bones were cultural media, which involved a complete process of editing, carving, duplicating, collecting and disseminating. Their production should be regarded in every sense as editing and publishing activity both in cultural contents and in form of media. So it can be considered as the beginning of Chinese history of edition and publication. The silkcopied edition, the bamboocarved edition, the stonecarved edition, the paperprinted edition as well as modernistic electronic edition and the web edition, which have been developed in later days, can all be regarded as editionmedium media as variations of the edition of inscriptions on shells and animal bones.