哲学社会科学版
陕西师范大学学报(哲学社会科学版)
20世纪中国文学研究
在过去之事、现在之事、将来之事之间穿越——鲁迅《狂人日记》的叙述学解读
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孙木函,徐妍
(长春师范学院 文学院, 吉林 长春 130032;中国海洋大学 文学与新闻传播学院, 山东 青岛 266071)
孙木函(1955—),女,吉林长春市人,长春师范学院文学院副教授;徐妍(1962—),女,吉林长春市人,文学博士,中国海洋大学文学与新闻传播学院教授。
摘要:
鲁迅的第一篇白话小说《狂人日记》不仅从现代思想史的意义上奠定了新文学的基点,而且在叙述学的层面开创了现代小说的表现形式:现代小说应该在过去之事、现在之事、将来之事中穿越。这种表现形式既意味着《狂人日记》的多重意义的空间,也隐含了鲁迅复杂的思想文化性格组合。
关键词:
鲁迅; 《狂人日记》; 现代白话小说; 叙述方式
收稿日期:
2007-03-15
中图分类号:
I210
文献标识码:
A
文章编号:
1672-4283(2008)01-0038-06
基金项目:
Doi:
A Penetration through the Past, the Present and the Future
SUN Muhan, XU Yan
(School of Language and Literature, Changchun Normal College, Changchun 130032, Jilin: College of Literature and News Dissemination, China Maritime University, Qingdao 266071, Shandong)
Abstract:
In The Madman's Diary, his first novel in vernacular Chinese, Lu Xun not only lay the foundation of new literature in terms of Chinese history of modern ideology, but also introduced a form of expression of modern fiction in terms of literary narration. Modern fiction should penetrate through the past, the present and the future. This form of expression means the multiple space of meaning in The Madman's Diary, and also embodies the combination of Lu Xun's complex cultural characters.
KeyWords:
Lu Xun; The Madman's Diary; modern novel in vernacular Chinese; pattern of narration