Abstract:
Hedgel's artistic consideration started from the text of Origin of Artistic Works, which was actually a consideration concerning the correlation between artistic existence and human nature. This correlation was realized by resorting out the artist's status and part in artistic activity. He emphasized the artist's part as the “channel” in activity of artistic creation, his openminded attitude, withdrawing way of appearing on the stage, and accepting and absorbing manner of coming to the scene. Hedgel's view of artistic creation gradually developed into a poetic view of survival in terms of truthemerging existentialism in his late days. This idea of Hedgel's differs from and mutually supplements in many ways with Marx's perceptual practice existentialism in a deep sense.
