哲学社会科学版
陕西师范大学学报(哲学社会科学版)
世界史研究
21世纪新加坡酬神戏演出的困境与求存之道
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王琳
(陕西师范大学 文学院, 陕西 西安 710119)
王琳,女,山西岢岚人,艺术学博士,陕西师范大学文学院博士后流动站工作人员。
摘要:
新加坡华族戏曲起源于酬神戏,是中国演戏酬神的民俗传统落户新加坡的结果。新加坡的酬神戏经历了从19世纪中叶到20世纪70年代的辉煌后在新世纪陷入发展困境,面临着观众流失、职业戏班解散、演出技艺故步自封的窘况,加之歌台挤兑与疫情阻挠,酬神戏求存艰难。新世纪华人神庙和宗乡会馆千方百计扩大内需,为酬神戏提供了一定的发展空间,在其影响下近年来华人社会出现民风回流的现象,人们开始反思酬神戏在当代社会的价值:酬神戏作为华人文化“根的存在”,是其在新世纪发展的原动力。
关键词:
华族戏曲; 新加坡; 酬神戏; 华人
收稿日期:
2020-10-25
中图分类号:
I339.073
文献标识码:
A
文章编号:
1672-4283(2021)02-0109-07
基金项目:
第12批中国博士后科学基金特别资助项目“清代及民国西北方志中演剧史料的整理与研究”(2019T120875);第62批中国博士后科学基金面上资助一等资助项目“民间演剧与清代及民国方志著录戏剧史料研究” (2017M620437);2018年陕西省博士后科研资助项目“民国前陕西方志演剧史料研究”(2018-11-14\[No.173\])
Doi:
The Difficulties and Ways of Survival in the Performance of Singapore’s Rewarding God Opera in the 21st Century
WANG Lin
(School of Language and Literature, Shaanxi Normal University, Xi’an 710119, Shaanxi)
Abstract:
Chinese Opera in Singapore originated from the opera for rewarding the gods, and it is the result of the Chinese folk tradition settled in Singapore. After experiencing its glory from the mid19th century to the 1970s, Singapore’s Rewarding God operas fell into a developmental predicament in the new century. They were faced with the dilemma of loss of audiences, disbandment of professional troupes, and stagnation of performance skills, which seeks to survive. In the new century, Chinese temples and club have done everything possible to expand domestic demand, providing a certain space for the development of Rewarding God Opera. Under their influence, the phenomenon of folk customs returning to the Chinese society has appeared in recent years, and people have begun to reflect on the value of Rewarding God Opera in contemporary society: As the root of the Chinese culture, it is the driving force behind the development of Rewarding God Opera in the new century.
KeyWords:
Chinese opera; Singapore; rewarding god opera; Chinese