哲学社会科学版
陕西师范大学学报(哲学社会科学版)
艺术史研究
唐代燕乐在宋元时期的发展变化
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杨 洪 冰
(陕西师范大学 音乐学院, 陕西 西安 710119)
杨洪冰,男,新疆石河子人,陕西师范大学音乐学院副教授。
摘要:
唐代宫廷燕乐在中国艺术史上掀起了巨大波澜。唐末五代后,随着行政中枢东移,长安的政治、经济、文化的迅速衰落,长安终被有地域概念的“陕西”所替代,燕乐在陕西的发展便随着社会的发展而变化。宋代队舞、金元时散曲、杂剧等一些艺术形式中均包含燕乐的遗痕。陕西地区出土文物中五代、宋金元时期乐舞图像不仅是社会变革的真实反映,更是乐舞艺术宛转分流时的瞬间再现,其文物价值、史学价值和艺术价值弥足珍贵。
关键词:
唐代燕乐; 五代乐舞; 宋金元乐舞; 乐舞图像; 古代艺术史
收稿日期:
2019-06-10
中图分类号:
K242,J722
文献标识码:
A
文章编号:
1672-4283(2019)05-0167-10
基金项目:
国家社会科学基金项目“入华粟特人墓葬乐舞图像及其文化意蕴研究”(15BMZ031)
Doi:
The Evolution of the Tang Dynasty Yan Music in the Song and the Yuan Dynasties
YANG Hongbing
(School of Music, Shaanxi Normal University, Xi’an 710119, Shaanxi)
Abstract:
Tang dynasty court Yan music had tremendous influence on the history of Chinese art and music. After the Tang and the Five dynasties, the center of the nation moved towards the east. The political, economic, and cultural situation of Chang’an city decayed rapidly. “Chang’an” was gradually replaced by “Xi’an”, a term that puts more emphasis on its geographical location. Yan music evolved alongside the development of the society. Several art forms including Song dynasty dancing teams, Jin and Yuan dynasty Sanqu (a type of folk music), and Zaju (a type of poetic drama) etc, all include traces of Yan music. The artifacts excavated from the Shaanxi region are not only an actual reflection of the social development, but also a reproduction of the evolution of the arts of dance and music. Their archeological, historical, and artistic values merit attention and study.
KeyWords:
the Tang Dynasty Yan Music; dance and music art of the Five Dynasties; the Song, Jin and Yuan Dynasties dance and music art; iconography and images of dance and music art; history of ancient art