哲学社会科学版
陕西师范大学学报(哲学社会科学版)
艺术研究
五代绘画中的乐舞构图与配置
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王希
(陕西学前师范学院 美术系, 陕西 西安 710100)
王希,男,陕西西安市人,陕西学前师范学院美术系讲师。
摘要:
丰富多姿的唐代乐舞不仅是唐代社会世俗生活的重要组成部分,也是唐人“视死如生”观念的形象体现。在已发现的唐代遗址、遗迹及墓葬中,乐舞图像成为李唐王朝皇亲贵戚、达官贵人墓葬中的恒定表现,与绘画艺术相互衬托,反映了乐舞艺术的发展盛况,也体现了绘画艺术的发展水平,这种传统一直沿及五代。五代后周冯晖墓甬道两壁的乐舞图像,以壁画和彩绘砖雕的艺术形式再现了五代乐舞壁画在保持唐代绘画形式上重新组合的过程,这种组合不仅体现出绘画艺术的变迁,也体现出乐舞艺术因时代变革而发生的一系列改变。
关键词:
五代绘画; 冯晖墓; 乐舞构图; 乐舞配置
收稿日期:
2014-09-12
中图分类号:
K243.1;J206.1
文献标识码:
A
文章编号:
1672-4283(2016)03-0140-08
基金项目:
陕西省教育科学“十二五”规划课题(SGH140714)
Doi:
Composition and Arrangement of MusicAccompanied Dance in Times of the Five Dynasties
WANG Xi
(Department of Fine Art, Shaanxi Xueqian Normal School, Xi’an 710100, Shaanxi)
Abstract:
The rich and colorful musicaccompanied dance in the Tang Dynasty was not only part of secular social life but a vivid presentation of the Tang people’s perception of “facing death calmly”. From the discovered ruins, relics and tombs of the Tang Dynasty, the picture of musicaccompanied dance was a regular icon of noble status in the tombs of imperial relatives and highrank officials and lords, which mirrored the art of painting, showing the prosperous development of art of musicaccompanied dance and high level of development of art pf painting. This tradition continued till the Five Dynasties. The pictures of musicaccompanied dance discovered in the corridor of Feng Hui’s tomb of the Later Zhou Dynasty reproduced the process of recomposition of the frescos of musicaccompanied dance to maintain the form of painting in the Tang Dynasty.
KeyWords:
painting in the Five Dynasties; Feng Hui’s tomb; composition of musicaccompanied dance; arrangement of musicaccompanied dance