哲学社会科学版
陕西师范大学学报(哲学社会科学版)
学术争鸣
试论生态美学的学科定位及有关问题
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曾 繁 仁
(山东大学 文艺美学研究中心, 山东 济南 250100)
曾繁仁,男,安徽泾县人,山东大学文艺美学研究中心教授。
摘要:
生态美学,从广义方面说,即是生态文明时代的美学,应从大历史观着眼,从经济与社会、哲学与美学转型的视角认识这种转型的必然性;从狭义方面说,生态美学是当代的自然生态美学,不同于人化自然的实践美学,关注的是人与自然关系中的共生之美。它在中国传统文化中表现为“生生美学”。
关键词:
生态美学; 生态文明时代的美学; 人与自然关系中的美学; 生生美学
收稿日期:
2023-03-07
中图分类号:
B83-066
文献标识码:
A
文章编号:
1672-4283(2023)03-0035-09
基金项目:
国家社会科学基金重大项目“生态美学的中国话语形态研究”(18ZDA024)
Doi:
10.15983/j.cnki.sxss.2023.0704
An Experimental Discussion on the Disciplinary Position of Ecoaesthetics and Related Issues
ZENG Fanren
(Center for Literary Theory and Aesthetics, Shandong University, Ji’nan 250100, Shandong)
Abstract:
In a broad sense, The definition of eco-aesthetics is the aesthetics of the era of ecological civilization, and it should be understood from a broad historical perspective. From the perspective of the transformation of economic and social philosophy and aesthetics, we can understand the inevitability of this transformation. In a narrow sense, ecoaesthetics is the contemporary aesthetics of natural ecology, which is different from the practical aesthetics that emphasizes the “humanization of nature”, and advocates the beauty of symbiosis in the relationship between humans and nature. In traditional Chinese culture, it is known as the aesthetics of creating life.
KeyWords:
ecoaesthetics; the era of ecological civilization; aesthetics in the relationship between human and nature; the aesthetics of creating life